5610 безплатни аудиофайлове за "Train Enter And Leave Station"

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

Symphony No. 41 (Mozart)

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Wagner Sleep music from Act 3 of Die Walkure

Chopin Fantaisie in F minor, Op.49

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

The State Anthem of the Union of Soviet Socialist Republics, played on a virtual keyboard.

Debussy la Fille aux cheveux de lin, opening bars

* on C = C. Just: 1/1 = 0 cents. Limit: 3-limit. Single note of Just BP Diatonic Scale: C.

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

*Single note of just BP diatonic scale on C = C'. Just: 3:1 = 1901.96 cents. Limit: 3-limit.

Perfect octave on D-sharp, as MIDI.

Land of Hope and Glory, sung by Clara Butt

Wagner, Rheingold, Scene 4

Wagner, Tristan, Liebestod closing bars

Wagner, Parsifal prelude closing bars

Sitting on platform 8 of york station with a set of mics in my ears. Zoom h1, roland in-ear mics21-08-03_105412_york_station_platform_h1_roland_em. Wav.

Long and lovely train horn, doppler effect included. Passing csx freight train, usa, recorded from platform about 50 feet away. Guessing it's moving ~30mph.

తెలుగు: పసిడిమెరుంగుల తళతళలు రచన – బాలాంత్రపు రజనీకాంతరావు గారు గానం – భానుమతి , రజని గార్లు ఆడియో సహకారం – టి. వి. రావు గారు Pasidi merungula thalathalalu audio, Author: Balantrapu Rajanikantha Rao, Singers: Bhanumathi, Rajani, Audio recording:T V Rao, Publisher: All India Radio

Binaural recording from helsinki railway station late winter 2019. Recorded in the covered area where the tracks are.

Krakow railway station ambience.

Krakow railway station ambience.

Krakow railway station ambience.

Krakow railway station ambience.

Krakow railway station ambience.

Krakow railway station ambience.

Krakow railway station ambience.

I recorded some ambience on a train in london.

Electric train halting and then leaving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Amtrak train approaching fast, recorded with camcorder 12 ft. From tracks.

Hope u like it did this my self on ableton live its free to use :).

Recorded on the platform of the train station picks up the last call to catch a train and immediately start the train, you can hear the general mood of people waiting and crossing into the dock.

Recorded in january 2011 at the shin-aomori train station in aomori, japan. Recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified, just cut short from a longer recording.

*Eight-hundred-forty-seventh harmonic on C = A↑↑♭. Just: 847/512 = 871.46 cents. Limit: 11-limit. MIDI pitch bend: 111,54

*Six-hundred-eleventh harmonic on C = ?. Just: 611/512 = 306.03 cents. Limit: 47-limit. MIDI pitch bend: 119,65

*Septimal sixth-tone on C = BLL#-. 50:49 = 34.98 cents. Limit: 7-limit. MIDI pitch bend: 25,75

*Nine-hundred-twenty-fifth harmonic on C = A+. Just: 925/512 = 1023.97 cents. Limit: 37-limit. MIDI pitch bend: 85,71

*Two-hundred-fifty-fifth harmonic on C = B♯. Just: 255/128 = 1193.22 cents. Limit: 17-limit. MIDI pitch bend: 106,61

*Seven-hundred-seventy-seventh harmonic on C = G♯+. Just: 777/512 = 722.12 cents. Limit: 37-limit. MIDI pitch bend: 10,71

*Ninety-fifth subharmonic on C = F (Ben Johnston's notation). Just: 128/97 = 516.17 cents. Limit: 19-limit. MIDI pitch bend: 22,69

*Eight-hundred-forty-first harmonic on C = A♭+. Just: 841:512 = 859.15 cents. Limit: 29-limit. MIDI pitch bend: 118,50

*Two-hundred-thirty-first subharmonic on C = D↓-. Just: 256/231 = 177.90 cents. Limit: 11-limit. MIDI pitch bend: 118,56

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*Four-hundred-fifty-fifth harmonic on C = B♭. Just: 455/256 = 995.67 cents. Limit: 13-limit. MIDI pitch bend: 78,62

Scale of harmonics on C for the Vietnamese Đàn bầu.

*Three-hundred-fifty-first harmonic on C = F+. Just: 351/256 = 546.39 cents. Limit: 13-limit. MIDI pitch bend: 108,78

*Hundred-seventh harmonic on C = ?. Just: 107/64 = 889.76 cents. Limit: 107-limit. MIDI pitch bend: 93,92 on m6

*Four-hundred-ninety-third harmonic on C = B. Just: 493 : 256 = 1134.53 cents. Limit: 29-limit. MIDI pitch bend: 6,75

*Three-hundred-eighty-fifth harmonic on C = G↑. Just: 385/256 = 706.46 cents. Limit: 11-limit. MIDI pitch bend: 8,66

*Forty-seventh harmonic on C = ?. Just: 47/32 = 665.51 cents. MIDI pitch bend: 123,84 on TT